The architecture of a fibre is like that of the DNA this shows reflective and experiential process in tension,
Just produced a book which is an inspirational story of how creativity can help you rise above the everday problems of life. Attached is a picture of my front cover, my story is told through my hats. www.2QT.co.uk/blog or www.toneredgar.com go to the about page to purchase the book.
We had a wonderful evening last Friday at the private view of the Nets exhibition. A huge thank you to Angie Wyman for masterminding the project and for all her encouragement. The work in the exhibition is very diverse but also cohesive with the Nets theme running through. Thank you too to all those who worked hard to bring the gallery space up to scratch for the hanging of the exhibition which looked quite stunning.
We did have some photos of work from the ANU exhibition and I know images are going to a virtual gallery in Finland but I think it would be nice if artists could post images of their final pieces to this blog.
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This is our official Nets exhibition poster for our Cumbria exhibition.
We also have a page link from our website www.cumbria.ac.uk/nets
Angie
I have been working away at the glass fronted amulet boxes over the past few months as one of several strands in my MA degree work. I was inspired years ago by an exhibition by photographer Fay Godwin and have wanted to work on something which acknowledged this influence. I have finally achieved this with my glass ‘nets’ which obscure and disguise the contents of the boxes they rest on. I had fun photographing this one against the sun-dappled asbestos walls of my 1950s garage!
Glass 'net' by Karen Griffiths
Hi everyone,
Just thought I would drop in to show you some images of my completed net work.
You can read more about “Black Velvet, Dark Night” on my website at http://www.peterlsmith.com.au/html/netwurks.html .
We had a photography session last Saturday. We had received a grant from out local government for the photography of works as well as a catalogue for the physical exhibition in the Foyer Gallery at ANU in September 2010. It was a long photography session of 20 works as few artists have dropped out since its inception. It was also difficult to photograph works that were installations as set up time was required – so some had to be just details of the work. So that means works are almost complete ready for the show. I just have to go through the images with the photographer and then they will go onto to the designer of the catalogue.
